In 1915, Kazimir Malevich hung a black square on a gallery wall and called it the zero point of painting – the end of the image, presented as an image. A little over a century later, the black square returns in Remains, but this time as consequence rather than statement. If the collector of one of these works by artist Rupture does nothing, the on-chain response is to produce the black square for them, one pixel at a time, one block at a time, until nothing is left of the image.

Remains is a series of four hybrid works in which a painting and a related ordinal are structurally bound. Each inscription contains exactly 210,000 pixels – the number of blocks mined in a bitcoin…

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