In Bitcoin culture, there is still a noticeable gap between the importance of the subject and the forms in which it is presented. Much of what exists is entirely digital, quick to disappear, or shaped by a purely functional aesthetic. Even projects that engage with Bitcoin’s history or its artistic dimension often end up looking more like documentation or marketing than something with cultural presence.

When I first saw History of Bitcoin in person at the Bitcoin Conference 2025 in Amsterdam, that contrast became quite clear. The physical object had a calm, deliberate quality that stood out in an environment dominated by screens and fast exchanges. It didn’t feel like something…

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